A ‘‘choreographic odyssee’’, a ‘‘epic-dance expedition’’, that presents the essence of movement, stripped of all tricks or devices, and thus underscores the extraordinary emotional powers of dance. Rejuvenated by a new generation of interprets from all over the world, the choreography becomes incandescent and resembles an explosion of sensuality, radiant, dangerous and exciting.

A showcase of Ohad Naharin and the Batsheva Dance Company‘s aesthetics and demanding technique, featuring two of the most emblematic works in the company’s current repertoire: Naharin’s Virus and Last Work.

A cruel and sardonic fairytale, Rimsky-Korsakov's The Golden Cockerel undoubtedly counts among the most subversive works in the history of music. A true masterpiece of the Russian repertoire, here in a production by Laurent Pelly conducted by Alain Altinoglu recorded at La Monnaie / De Munt in Brussels.

The hilarious Platée by Jean-Philippe Rameau, in Laurent Pelly's iconic production, makes its comeback at the Palais Garnier under Marc Minkowski's baton, with Lawrence Brownlee in the role of the vain frog, and Julie Fuchs as La Folie...

Giuseppe Verdi and Arrigo Boito‘s last masterpiece takes the stage of Teatro Real for the first time in seventeen years, in a new production by Laurent Pelly conducted by Daniele Rustioni.

Donizetti’s L’Elisir d’amore at the Paris National Opera, staged by Laurent Pelly and conducted by Edward Gardner.